Tag Archives: Sound Art

Parking Ramp Project

Aniccha Arts premieres a performance installation inside a seven-level parking garage. The project asks questions about transience, migration, and stability in a space that temporarily stores cars and is home to nothing. Performers pervade the parking structure with their bodies, working against the visible slant of the ramp to find their individual verticality. Questions we asked in creating the work: How do we find softness in a landscape of concrete? What anchors us on these alternating planes? How do we connect across such a complex landscape? video by: Cully Gallagher

This video by Cully Gallagher is 3 minutes and 30 seconds of fragments from the approximately 44 minute long Parking Ramp Project. Composing music for this performance installation showed me how far it is still possible to explore improvised music through experimental processes. Considering the acoustics of the parking ramp was a critical consideration within the musical scope. One approach to this was rests coded into the algorithms that allowed for the music to decay during long pauses while the ambient sound of the space inserted itself as an unintentional “performer”.

I am humbled by the willingness of Pramila Vasudevan and other collaborators to humor my scheme to compose the work using Javascript. This language allowed me to quickly produce animated, generative, graphic scores. It was also a privilege to perform the music with Peter Hennig (drums) and Cody McKinney (bass/electronics) who effortlessly interpreted the graphic scores. You can read and hear more about the project or continue for a gallery of screen grabs from the animated graphic scores. Continue reading

ISSTA 2018 and Ableton 10 NRPN Morphing

Soon I’ll be on my way to Ireland for my second appearance at the Irish Sound, Science and Technology Association (ISSTA) annual conference. This year ISSTA will be held at Ulster University’s Magee campus in Derry, Northern Ireland, November 9th and 10th, 2018. Tickets are still available.

This time around my work is entirely rooted in FM synthesis. Particularly around my explorations of the amazing PreenFM2. I have designed a Max for Live patch that allows me to degrade, morph, and/or scramble sets of parameters on the synth. This is similar to a device I designed for the Yamaha TX81Z. This process creates an algorithmic approach to the sound design. Continue reading

45 Delusions for Common Time at the Walker Art Center

45 Delusions was commissioned by the Walker Art Center for an event with former Merce Cunningham Dance Company (MCDC) dancers as part of the Common Time exhibit and performance series. The piece was performed and recorded with the dancers on March 30, 2017 in the Perlman Gallery at the Walker Art Center, Minneapolis. My setup included Rhodes, Moog Sub 37, PreenFM2, Korg KP3+, and a Moog Minifooger Delay. Graham O’Brien performed on percussion and electronics triggered from his drums.


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Un:heard Resonance at Northern Spark, June 10, 2017

Saturday, June10, 2017 I participated for the sixth time in Northern Spark. The project I directed was called Un:heard Resonance. Also involved were artists Mike Hodnick AKA Kindohm (music), Chris LeBlanc (visuals), Lucas Melchior AKA MKR (music), and Aaron Marx (design). I was also fortunate to have the help of several student / former student volunteers inlcuding: Mike Miller, Meg Gauthier, and Justin Maki. The piece was be performed at the Weisman Art Museum from 8:59pm to 5:26am.
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Instant Composer: Mad-libbed Music

On June 13, 2015 I collaborated with a team of nine students and nine musicians on a project I directed for Northern Spark, an annual, all-night, art festival In Minneapolis and St. Paul, Minnesota. We titled the project, Instant Composer: Mad-libbed Music and the intent was to engage the audience into instantly writing musical compositions for an ensemble of improvising musicians.
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