Tag Archives: Sound Art

Synthetic Skyline

<em>Synthetic Skyline</em>

From May 27 to July 26, 2014 I participated in The Audible Edge, a group exhibition that “explores intersections of architecture and sound, inside and outside the gallery space.”

The Audible Edge includes With Hidden Noise, a traveling exhibition of sound art projects, including works by Taylor Deupree, Jennie C. Jones, Pauline Oliveros, Andrea Parkins, Steve Peters, Steve Roden, Michael J. Schumacher, and Stephen Vitiello. With Hidden Noise is part of ICI’s Exhibitions in a Box series. Produced by Independent Curators International (ICI), New York, this exhibition is curated by Stephen Vitiello. The Audible Edge includes artists invited by the organizing team to participate in the exhibition, including J. Anthony Allen, Philip Blackburn, Mary Ellen Childs, Douglas Ewart, Douglas Geers, Beatrix*JAR, John Keston, Abinadi Meza, Ryan Wurst and Patrick Beseda.

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Machine Machine Touchscreen Instrument

Machine Machine (2013) is a 32″ touchscreen installation that functions as an electronic instrument. Granular synthesis is used to loop “grains” of sound and video at variable lengths and frequencies. These parameters are based on the y-axis of the touch point on the monitor. The x-axis determines the position of the grain within the timeline. The piece was exhibited last month at the Northrup King Building in Minneapolis during Art-a-Whirl and for Visual Storage; the MCAD MFA thesis exhibition.
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Post-prepared Piano by John Keston and Piotr Szyhalski

<em>Post-prepared Piano</em> (2013) by John Keston and Piotr Szyhalski

Piotr Szyhalski and I have just finished installing a piece titled, Post-prepared Piano, in the Burnet Gallery at Le Méridien Chambers, Minneapolis. Our installation is part of a show called Interactions and features the work of select MCAD MFA students in collaboration with their mentors. Our piece consists of several components. The first part is a 14′ wide and 17″ tall inkjet print of spectral analysis from a short piano composition that I performed and recorded using my custom built, binaural head microphone (otherwise known as Vincent).

Below the print is an installation that Szyhalski constructed from tarpaper, nails, and one continuous piece of twine. This handmade mapping of the spectral analysis was then photographed and converted back into sound using Michel Rouzic’s excellent application, Photosounder. Thirdly, we installed an iPad with headphones that allows the visitors to hear the original recording, the nails and string version, and a combination of the two layered on top of one another (visit the tablet optimized webapp). The show opens today and runs through February 24, 2013 with an artist’s reception on January 31 from 6pm to 9pm. Read on for more details, photos and sounds. Continue reading

Post-prepared Piano Animated Sequence

I put together this animated sequence of the media from Post-prepared Piano to illustrate the relationships between the spectral analysis, the mapping with nails and twine, and the music from the piece. Thanks to Photosounder developer Michel Rouzic for suggesting that I make a video combining the sound and imagery after seeing the documentation I posted a few days ago.

Instant Cinema: Teleportation Platform X

Instant Cinema Works in Progress

June 8 through 9, 2013 is this year’s Northern Spark Festival and I am participating with a project that I am directing called Instant Cinema: Teleportation Platform X. This is a collaborative effort with an amazing team of artists and musicians involved including the members of DKO, David T. Steinman as the Mobile Conductor, and Jon Steinhorst as our Artistic Director.
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