Last September 2017 I performed at the Irish Sound in Science Technology and the Arts Conference (ISSTA.ie) in Dundalk, Ireland (video by Daryl Feehely). The performance makes use of a custom Max patch controlled by an iPad, a Novation Circuit, a KeyStep, and a Minifooger Delay pedal. It occurred to me that it might be interesting to share the roots and evolution of this piece, so here goes. Continue reading
45 Delusions was commissioned by the Walker Art Center for an event with former Merce Cunningham Dance Company (MCDC) dancers as part of the Common Time exhibit and performance series. The piece was performed and recorded with the dancers on March 30, 2017 in the Perlman Gallery at the Walker Art Center, Minneapolis. My setup included Rhodes, Moog Sub 37, PreenFM2, Korg KP3+, and a Moog Minifooger Delay. Graham O’Brien performed on percussion and electronics triggered from his drums.
Saturday, June10, 2017 I participated for the sixth time in Northern Spark. The project I directed was called Un:heard Resonance. Also involved were artists Mike Hodnick AKA Kindohm (music), Chris LeBlanc (visuals), Lucas Melchior AKA MKR (music), and Aaron Marx (design). I was also fortunate to have the help of several student / former student volunteers inlcuding: Mike Miller, Meg Gauthier, and Justin Maki. The piece was be performed at the Weisman Art Museum from 8:59pm to 5:26am.
I’m pleased to announce that I will be giving two workshops at Moogfest 2016. Audiovisual Scores for Electronic Music is on May 19 from 5 to 7pm and Sound Art and Sonification is on Friday from 2 to 4pm. The location for both workshops is 21c Museum Hotel, Gallery 6 111 N. Corcoran St, Durham, NC 27701. Details are on the Moogfest schedule site.
On June 13, 2015 I collaborated with a team of nine students and nine musicians on a project I directed for Northern Spark, an annual, all-night, art festival In Minneapolis and St. Paul, Minnesota. We titled the project, Instant Composer: Mad-libbed Music and the intent was to engage the audience into instantly writing musical compositions for an ensemble of improvising musicians.