Tag Archives: FM Synthesis

ISSTA 2018 and Ableton 10 NRPN Morphing

Soon I’ll be on my way to Ireland for my second appearance at the Irish Sound, Science and Technology Association (ISSTA) annual conference. This year ISSTA will be held at Ulster University’s Magee campus in Derry, Northern Ireland, November 9th and 10th, 2018. Tickets are still available.

This time around my work is entirely rooted in FM synthesis. Particularly around my explorations of the amazing PreenFM2. I have designed a Max for Live patch that allows me to degrade, morph, and/or scramble sets of parameters on the synth. This is similar to a device I designed for the Yamaha TX81Z. This process creates an algorithmic approach to the sound design. Continue reading

Spectral Tablature (2013)

<em>Spectral Tablature</em> (2013)

Spectral Tablature is a series of collaborative installations that explore sound generated through visual processes. Sound is recorded or synthesized using common techniques then converted into images called spectral analysis. These forms are re-interpreted as a visual artifact then converted back into sound. For each pair, or “duet,” the similarities and differences in tone and texture can be heard as well as seen in the work. This series, along with two more of my installations, is currently on display for my thesis exhibition at the Northrup King Building in Minneapolis. Please read on for images and descriptions of each pair of prints along with the audio.
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