On June 13, 2015 I collaborated with a team of nine students and nine musicians on a project I directed for Northern Spark, an annual, all-night, art festival In Minneapolis and St. Paul, Minnesota. We titled the project, Instant Composer: Mad-libbed Music and the intent was to engage the audience into instantly writing musical compositions for an ensemble of improvising musicians. Continue reading →
On May 7, 2014 I performed Vocalise Sintetica at the Echofluxx Festival in Prague. The piece is made up of four movements: I. Machines (00:00), II. Liquid (18:43), III. Vocalise (28:55), and, IV. Sintetica (38:41). Each movement is a playlist of five audiovisual objects that are instantly available to be projected and amplified while being granulated in real-time by a performer using a multitouch interface. The performer may loop their gestures applied to the audiovisual objects in order to bring in additional synthesized sound layers that contrast or mimic the audiovisual objects. My performance at Echofluxx was made possible by a grant from the American Composers Forum with funds provided by the Jerome Foundation. Continue reading →
Spectral Tablature is a series of collaborative installations that explore sound generated through visual processes. Sound is recorded or synthesized using common techniques then converted into images called spectral analysis. These forms are re-interpreted as a visual artifact then converted back into sound. For each pair, or “duet,” the similarities and differences in tone and texture can be heard as well as seen in the work. This series, along with two more of my installations, is currently on display for my thesis exhibition at the Northrup King Building in Minneapolis. Please read on for images and descriptions of each pair of prints along with the audio. Continue reading →
Piotr Szyhalski and I have just finished installing a piece titled, Post-prepared Piano, in the Burnet Gallery at Le Méridien Chambers, Minneapolis. Our installation is part of a show called Interactions and features the work of select MCAD MFA students in collaboration with their mentors. Our piece consists of several components. The first part is a 14′ wide and 17″ tall inkjet print of spectral analysis from a short piano composition that I performed and recorded using my custom built, binaural head microphone (otherwise known as Vincent).
Below the print is an installation that Szyhalski constructed from tarpaper, nails, and one continuous piece of twine. This handmade mapping of the spectral analysis was then photographed and converted back into sound using Michel Rouzic’s excellent application, Photosounder. Thirdly, we installed an iPad with headphones that allows the visitors to hear the original recording, the nails and string version, and a combination of the two layered on top of one another (visit the tablet optimized webapp). The show opens today and runs through February 24, 2013 with an artist’s reception on January 31 from 6pm to 9pm. Read on for more details, photos and sounds. Continue reading →
I put together this animated sequence of the media from Post-prepared Piano to illustrate the relationships between the spectral analysis, the mapping with nails and twine, and the music from the piece. Thanks to Photosounder developer Michel Rouzic for suggesting that I make a video combining the sound and imagery after seeing the documentation I posted a few days ago.