45 Delusions was commissioned by the Walker Art Center for an event with former Merce Cunningham Dance Company (MCDC) dancers as part of the Common Time exhibit and performance series. The piece was performed and recorded with the dancers on March 30, 2017 in the Perlman Gallery at the Walker Art Center, Minneapolis. My setup included Rhodes, Moog Sub 37, PreenFM2, Korg KP3+, and a Moog Minifooger Delay. Graham O’Brien performed on percussion and electronics triggered from his drums.
I am very excited to announce that I will be presenting at Moogfest on April 24, 2014. I will stand along side Yuri Suzuki, Felix Faire, Yoon Chung Han, and Scott Snibbe participating in “an afternoon exploring alternative interfaces for sound generation and manipulation, and the future of visual music” programmed by Eyeo Festival organizers including industry visionary Dave Schroeder. Please visit the Moogfest site for more details.
Jon Steinhorst put together this video preview for our Northern Spark project, Instant Cinema: Teleportation Platform X. It was compiled from footage that was shot during our recent work-in-progress performance at the Northrup King for the Visual Storage exhibition. This should provide a small scale example of what to expect from the final performance on June 8, 2013.
This piece was shot under a railroad bridge that I ride under during my commute. While trains are going over the bridge a nice rumbling, screechy ambience envelopes the space. On this occasion, a few weeks ago, melting icicles were dripping onto the sidewalk adding a chaotic rhythm to the soundscape. Rather than producing a drone to mimic the ambience I used noise, LFO pitch sweeps, and sample-and-hold on the Monotribe to contrast the reverberated railroad rumbling, and screeching.
NOTE: This is a binaural recording mixed with a monophonic, analog, synthesizer performance. Please use circumaural headphones to experience the binaural effect.
Here’s a recent addition to my series of duets for synthesizers and environments. Once again I have used the cleaners as a setting, but this time focusing on the spin cycle and using the binaural head with a fixed camera. The accelerating oscillations of the spin cycle are really fun to mimic with the Korg Monotribe. The dual speed setting on the LFO goes a long way. Pushing the speed up into the audio range one can create cross mod or FM like textures. This piece will be shown, along with similar work, at my MFA thesis exhibition next month.
NOTE: This is a binaural recording mixed with a monophonic, analog, synthesizer performance. Please use circumaural headphones to experience the binaural effect.