On August 23, 2018 I debuted a new piece in remote collaboration with Syrian artist and filmmaker Khaled Alwarea. PANIC BY PROXY is an audiovisual translation of clips from Alwarea’s award winning film Panic Attack. The piece was commissioned by MN Artists for their MN Artists Presents series at the Walker Art Center, curated by Essma Imady. Continue reading
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Generative, Animated, Graphic Scores for Parking Ramp Project
This video is one of the six generative, animated, graphic scores that I have composed for Parking Ramp Project. The music was performed live and recorded while the screen was being captured. This piece is called Connected. Colored circles are generated on the screen with connecting lines. One of the three colors is randomly selected to change the color of circles with which it collides. Once all the circles are the same color they fade away and a new set is generated with a different color as the changer. This continues for seven minutes.
Musicians respond to this score by producing a sound event when circles of their assigned color collide with another circle or the boundaries of the screen. This process produces phrases with arbitrary yet continuous rhythmic patterns. The dimensions, velocity, x-axis, and y-axis of each circle serve as parameters that can be interpreted and applied to the frequency, timbre, dynamics and/or duration of the sound event. This interpretation is left up to the discretion of the musicians.
Purple = Peter Hennig (Drums)
Grey = Cody McKinney (Bass / Electronics)
Green / Cyan = John C.S. Keston (Rhodes / Synths)
Bloodline will be performing the music live for the piece, directed by Aniccha Arts choreographer Pramila Vasudevan, with nearly fifty dancers at a parking ramp near the Mall of America, September 29th and 30th, 2018. Learn more about Parking Ramp Project below: Continue reading
Video of Performance at ISSTA, Ireland
Last September 2017 I performed at the Irish Sound in Science Technology and the Arts Conference (ISSTA.ie) in Dundalk, Ireland (video by Daryl Feehely). The performance makes use of a custom Max patch controlled by an iPad, a Novation Circuit, a KeyStep, and a Minifooger Delay pedal. It occurred to me that it might be interesting to share the roots and evolution of this piece, so here goes. Continue reading
45 Delusions for Common Time at the Walker Art Center
45 Delusions was commissioned by the Walker Art Center for an event with former Merce Cunningham Dance Company (MCDC) dancers as part of the Common Time exhibit and performance series. The piece was performed and recorded with the dancers on March 30, 2017 in the Perlman Gallery at the Walker Art Center, Minneapolis. My setup included Rhodes, Moog Sub 37, PreenFM2, Korg KP3+, and a Moog Minifooger Delay. Graham O’Brien performed on percussion and electronics triggered from his drums.
Un:heard Resonance at Northern Spark, June 10, 2017
Saturday, June10, 2017 I participated for the sixth time in Northern Spark. The project I directed was called Un:heard Resonance. Also involved were artists Mike Hodnick AKA Kindohm (music), Chris LeBlanc (visuals), Lucas Melchior AKA MKR (music), and Aaron Marx (design). I was also fortunate to have the help of several student / former student volunteers inlcuding: Mike Miller, Meg Gauthier, and Justin Maki. The piece was be performed at the Weisman Art Museum from 8:59pm to 5:26am.
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